Trip Two: Pining for the Fjords.

Back to Oslo on the second part of my residency / project. This time I’ll be heading up near to Lillehammer so that I can record environmental sounds.

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The forecast looks fairly chilly but not exceptionally so, and there does now seem to be light snow predicted (which is what I’m after).

I’m certain that the temperature is going to be a bit of a shock to the system when I first arrive but hopefully it won’t interrupt the processes of recording.

This leg is certainly going to be more of an adventure than last time (which consisted mainly of barricading myself into the studio for late night sessions), and some details about the adventure I’m still not clear about.

But when I know, you’ll know.

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Trip One: End (Day 5) – ‘Standing in a Corridor’ & Composition Second Draft.

Today was spent polishing the piece in the studio. And while no-one else was around, I got my ‘Alvin Lucier’ on.

‘I am Standing in a Corridor….’

All week I’ve been walking along the corridor in NOTAM and hearing the resonant reflections. I also had a lot of great recordings, but they were too recognisable to be used within the discourse of the piece that I’ve been working on.

So, I decided to combine these two things. It’s actually the first time that I’ve tried to do this, and I’m pretty happy how it turned out.

I tried re-recording many things. The humm and whirr of the studio computer, the clinking of cups in the dishwasher, (my own voice) and the photocopier/scanner that sits in that very hallway. Coincidentally it was the photocopier that was most suited to this location (I guess they must have known this when they put it there).

Second Draft of The Piece

So, equipped with my resonant corridor recordings I was able to get back into the studio and round off the piece. While working on the piece today I was able to recognise the key sound events within the piece and utilise them to their fullest extent. I recognised that the ‘creaking’ sounds were functioning as dividers / flags between sections and so increased their use in this role. And I drew in the resonant sounds at the end of the piece to provide some more pitched material in what was previously a very noise based section.

Other general tweaks were made to ensure that all gestures fed constructively into one another, or at least had compatible energy profiles. EQ, EQ, EQ gave clarity to the sonic materials and reverberation was added to give a sense of depth and space to certain sonic layers.

Where Next?

Tomorrow I fly back to the UK. I’ll be sad to leave but NOTAM is very quiet at the moment with everyone off for Christmas. I’ve really not seen anything else of Oslo other than the apartment, the studios and the 15 minute walk between them. Hopefully January will get me out and about a bit more.

I’m also looking forward to the distance and perspective that January will bring to bear on the piece. There is probably more tweaking to be done, but I’m pretty happy with how this piece turned out. A busy week, but a very productive one.

Have a good Christmas and New Year.

Trip One: End of Day Four – Composition First Draft

Today was consumed by processing of materials and development of the composition. So there are not so many active ‘goings on’ to report.

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However, I did manage to sketch out the whole form of the first piece. With a clear (at least it is clear to me) beginning, middle and end (though I think it needs more work to fully polish and emphasise it).

I decided to end with the mill pond on the river ‘Akerselva’, directly outside the windows of NOTAM (photo above).

If you get a chance, let me know what you think about the piece.

There is still more work to be done. I have a few notes of areas to develop and will hopefully discover a few more ideas in my sleep, but if you have any comments I’d love to hear them.

Detailed Compositional Thoughts / Reflections

  • Find and insert more ‘guitar edit’ recordings.
  • Develop / delete ending.
  • Edit and isolate ‘swishing dishwasher powder’. Develop this more.
  • Develop squeaky door sounds: transposition and stretch.
  • Develop dishwasher plates and clinks more?
  • Play and record corridor resonance.
  • Move back second guitar edits so as to cover the keyboard crossfade.

Trip One: Part One – “Quiet” in NOTAM

I’m currently updating my blog from the aeroplane, at least 10,000 ft above the North Sea (thank you Norwegian Air). Off on my first visit to NOTAM.

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The goal of this trip is acclimatisation and investigation of the centre itself. I will record sounds from around NOTAM (the sounds of the building the people, the technology, the rehearsing musicians), and use these as materials for development of a short work (c. 8 minutes).

I’m looking forward to meeting all of the composers and musicians who are based there (those that haven’t already disappeared for the winter break). And hearing some excellent music.

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Currently however, I’m enjoying some fabulous cloud formations passing below me. I might just have to find a way to use these as inspiration for textural materials and layering. Great depth and variation.